Should A Writer Go To School For Screenwriting? by Eric Edson

Film Courage: …And how do we do this faster,
so most people would probably turn to education as another form of hacking, how do you get
past a certain time frame of putting energy into something? Is formal education totally necessary when
it comes to writing? Can’t someone still be a brilliant screenwriter
without being part of an MFA program or even obtain a Bachelor’s degree in writing? Eric Edson: The answer is simple…And the
answer is absolutely “Yes. Of course they can.” They can. But…that for most of us is choosing a very
difficult and lonely road. And here is why. Any art form…before anything can be art
and be appreciated as anything that has reached to the level of art, it is a craft. First art is created by craftspeople who have
some inspiration at one moment in their lives or 50 moments in their lives when the craft
that they do so well, rises to the level of art. But you cannot cut to art without swimming
through craft, without creating an understanding the craft of anything. Georgia O’Keeffe (I don’t know why she came
to mind) and then Pablo Picasso, okay graphic artists who take it to the level of true and
pure art. Both of them in their early years learned
their craft. They learned perception, they learned color,
composition. There are things you have to learn, tools
that these artists have and when they are mastered, then they can take it into some
very interesting and unexpected places. But you’ve still got the tools. Chess is a rather interesting game and there
are untold millions of possibilities, maybe infinite possibilities. There are six pieces in a chess game. But how to use those six pieces and multiple
combinations create probably the most fascinating, intricate and mind twisting game ever invented. There are tools in screenwriting and I would
take the position that if this is what somebody really wants, if this is what they’re going
for, if all their gifts lead them in this direction, then they need to get an education
about the tools. You can do that on your own. But you’ll need to read a lot of books and
sometimes…I mean there are a lot of great books on screenwriting, don’t get me wrong. There are a lot of great books. And there are tons and tons of garbage books
on screenwriting, too. And if you haven’t got some guidance, you
may be wasting a lot of time on some of those books. But if you come to an MFA program you are
pursuing a couple of things really. And what do you get for your money, you know. First of all, you are going toward a terminal
degree, a graduate, terminal degree that qualifies you to teach tenure track as a professor at
the college and or university level. And that’s a major certificate, that’s
a major thing to have. Like me, I had two of them stashed away in
the closet somewhere when the opportunity came up decades later. Okay! I’m qualified. I’m prepared, you know? Let’s go. So that as a writer it gives you another door
to open. Another avenue to pursue in life. You are less hindered. Remember I said you have two pathways to be
pursued at the same time, your craft and art, yes? But at the same time how to regularize an
income. Well you’re a big step toward the second
path when you have an MFA, just the practicality of the degree. But on the other set of accomplishments, it’s
about the tools. Tools you will learn that you never knew existed! So many people who don’t get a formal education
in it or a degree, they still talk of screenwriting as something that falls from the sky “I
don’t want that stuff! I don’t want to do plot!” I just read this some place and it made me
shake my head. Somebody said…

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